Republic Of China: Actor? Please Call Me Martial Arts Master!

In the 20th year of the Republic of China, the bridge in Beiping was covered with wind and snow.
Warlords fight in melee, opera gardens are ups and downs, and human lives are worse than dogs.
This year, Lu Cheng was the wooden martial arts student in Qingyun's class who "couldn't be beaten with three sticks". He was a miserable man who had turned his head gray due to worry in order to get medicine for his mother.
In these troubled times, actors are of the lowest rank. If they want to stop begging for food on their knees, they must either have power or have a fist.
It was at the winter solstice of this year that he held the big white wax gun tightly amidst the gongs and drums of "Fengxue Mountain Temple", and a line of ancient handwriting appeared in front of his eyes.
[Current play: Lin Chong’s Night Run]
[Evaluation: B-top. Get the reward: Ten years of foreign boxing skills! 】
As long as you act, you will understand. As long as you enter the play, you are a master!
Since then, the capital has lost a rigid wooden figure who only knows how to play small roles, and has gained a martial arts myth who entered the Tao through drama.
From the Liuhe Big Spear in [Fengxue Mountain Temple] to the tearing of tigers and leopards in [Wu Song Fights Tigers].
From the overwhelming strength of [Pick Pulley] to the overwhelming power of [Havoc in the Heavenly Palace].
Many years later, when the Jinmen gang surrendered, when the Japanese rogues broke their samurai swords, and when the ships of the great powers left the port of Jinmen.
Lu Cheng not only held up the banner of Qingyun Class, but also held up the shaky backbone of the national martial arts.
"In my whole life, I, Lu Cheng, have performed all the joys and sorrows on stage, and penetrated the human world off stage. Whether it is a warlord or a foreigner, that is your show. In Peiping, you must listen to me!"